“Lee” is a biographical drama that tells the compelling story of Lee Miller, a complex and pioneering figure of the 20th century. The film is helmed by renowned director Ellen Kuras, who brings to life the multifaceted existence of Miller — a woman who was not only a celebrated model but also a groundbreaking war correspondent, photographer, and survivor of profound personal trauma.
Set against the backdrop of World War II, “Lee” focuses on Miller’s role as one of the first female photographers to document the realities of war, including the liberation of Nazi concentration camps. The movie explores Miller’s internal struggles, particularly her battle with PTSD, her complicated relationships, and her search for a sense of purpose amid the horror she witnessed. It provides an intimate look into her psyche and sheds light on the personal cost of her professional successes.
Kate Winslet delivers a commanding performance as Lee Miller. She embodies Miller’s transformation with nuance, conveying both the strength and vulnerability that defined the icon. Winslet’s portrayal of Miller’s stoicism, coupled with her moments of fragility, brings authenticity to the character. Winslet’s ability to communicate a sense of emotional depth in quieter moments is one of the standouts of her performance.
Andrea Riseborough appears in a supporting role, with Riseborough playing the part of Miller’s close friend and fellow journalist. The actress brings a strong, supportive performance that help flesh out the emotional landscape of Miller’s relationships.
Ellen Kuras’ direction is both sensitive and bold, creating a balance between the glamor of Miller’s early career and the somber nature of her war correspondence. The cinematography is striking, often emphasising Miller’s isolated moments amid the chaos of wartime Europe. Through careful lighting and framing, Kuras captures Miller’s personal dichotomy—her outward composure and inner torment. The war sequences are haunting and visceral, raw in nature.
At its core, “Lee” is a film about resilience, identity, and the complexities of fame. It grapples with the idea of legacy — how Miller, often overshadowed by her male counterparts in the art world, sought to carve out a meaningful place for herself. It’s also a reflection on the dualities within Miller: the glamorous persona of the model and the steely resolve of the war correspondent. The film also explores the psychological toll that the horrors of war had on Miller, touching on issues of trauma, memory, and coping mechanisms.
While “Lee” does an admirable job of portraying the essence of Lee Miller’s life, some have found the narrative to be a bit uneven. The film’s portrayal of Miller’s personal relationships, particularly her tumultuous marriage to British artist Roland Penrose, is compelling but could have been fleshed out more.
The film occasionally struggles to balance the intimate nature of Miller’s personal life with the broader scope of her historical significance, and at times, the focus on the emotional aspects of the character risks overshadowing the full weight of her achievements.
“Lee” is a compelling biographical drama that sheds much-needed light on an extraordinary woman whose contributions to the world of photography and journalism are often overlooked. Kate Winslet’s performance is a revelation, and Ellen Kuras’ direction beautifully captures the complexities of Lee Miller’s life. The film is an emotional, thought-provoking experience that honours both the personal and professional challenges of a remarkable figure in history.
